 |
Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art. Amsterdam University Press, 2021. |
 |
Reframing Rembrandt: Jews and the Christian Image in Seventeenth-Century Amsterdam.Berkeley, Los Angeles, London: University of California Press, 2002. |
 |
Ut Pictura Amor: The Reflexive Imagery of Love in Artistic Theory and Practice, 1500-1700, co-edited with Walter Melion and Joanna Woodall. Intersections: Interdisciplinary Studies in Early Modern Culture. Leiden and Boston: Brill, 2017 |
 |
“Graphic Images: Rembrandt’s Printed Nudes,” in The Naked Truth: Drawing from Nude Models in the Golden Age. exhibition catalogue, Rembrandthuis Museum, Amsterdam, 2016, 87-99 and 168-170. also published in a Dutch edition, Rembrandts naakte waarheid: Tekenen naar naaktmodellen in de gouden eeuw |
 |
“Liefde baart kunst: Vermeer’s Poetics of Painting.” Simiolus 35 (2011): 142-164. |
 |
“Rembrandt’s Gifts: A Case Study of Actor-Network-Theory.” JHNA (Journal of Historians of Netherlandish Art) 3:2 (2 |