Rosana Antoli

Rosana Antoli’s practice centers on the social choreographies and gestures that weave through everyday life as well as future ecologies of plural agencies. By approaching performance as porous sites of interactive research, Antoli creates work that invites audiences into an open dialogue around bodies, hydro feminism and identity.

Antolí ‘s work is exhibited in galleries and museums worldwide, having been commissioned by: St Albans Museum (UK. 2022), CAAM Museum (ES. 2021), Tate Modern Museum (UK. 2019), CentroCentro Cibeles Palace (ES. 2020), Pompidou Museum (ES. 2018), Da2 Museum (ES. 2017), Artium Vitoria Museum (ES. 2017), BBVA Foundation (ES. 2016), Joan Miró Foundation (ES. 2016), Wifredo Lam Museum (CU, 2016), and CA2M (ES, 2012) among others.

Antolí obtained her MA in Performance and Sculpture at Royal College of Art in London in 2015 , and from 2015 until 2017 she was a selected Member of Royal British Society of Sculptors (UK). She has been awarded with Ibero-American Patronage Awards (Spain, 2022), S+T+ARTS Repairing the present – Finalist (EU, 2022), DYCP Arts Council UK (UK, 2021), VIII International Art Prize Marta García-Fajardo – Finalist (Spain, 2021), Generaciones Art Prize (Madrid, Spain, 2016), Gasworks International Fellowship (UK-Colombia, 2015), 2015 MULTIVERSE Grant for Video Art Creation by BBVA Foundation (Spain, 2015) and Sotheby’s / Pilar Juncosa Art Prize (Spain 2012).

One of her most recent achievements has been a public art commission by the Valencian Government to create a public sculpture in memory of the Covid-19 victims in the City of Arts and Sciences built by Santiago Calatrava in Valencia, Spain.

Her work is in collections such as Jorge M. Pérez Art Collection, Maria José Jove Foundation, Füsun Eczacıbaşı Art Collection, IVAM Museum, Generalitat Valenciana Art Collection, Artium Vitoria Museum, MACA Alicante Contemporary Art Museum, Monte Madrid Foundation, or DKV Foundation.