The Good Life of Marcia Deihl
Life of ’70s era alum spurs reflection on a generation’s dreams
Marcia Deihl performing with the New Harmony Sisterhood Band at the Artemis Women’s Music Festival at Harvard University in October 1975. Photo by Ellen Shub
Years ago, at my first newspaper job, when the notion of our own death was a distant abstraction, my young colleagues and I amused ourselves by composing headlines for our obituaries. All that we imagined our lives would be has now, four decades later, been rewritten by reality and steered by opportunities, obligations, and fate. Those of us who were the product of that postwar tidal wave known as the baby boom entered a world of unprecedented possibility. We thought of ourselves as rebels and nonconformists, as we agitated, reveled, and otherwise communed in lockstep. We harbored grandiose dreams—we would change the world.
Today, BU’s boomer alumni include leaders and luminaries in the humanities, the arts, business, and medicine, and we celebrate them. But as many in my generation approach the end of our working lives, we wonder: what has made our lives meaningful? In a culture that increasingly rewards ambition and feeds on fame for its own sake, what does it mean to live a good life? Is there something we can still learn from those who, defying categorization and trailing no lofty credentials, succeed in a soulful, quirky way in making the world a slightly better place?
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